700 years ago the greatest of European travelers left us a text that told of distant peoples and cultures, of different uses and unknown technologies: silk, porcelain, paper, perfumes… in his Livre de marvels du monde written in a new language, the international Venetian Franco spoken by all merchants, Marco Polo describes sophisticated populations, with large and rich palaces, precise ceremonials, and the most avant-garde material culture of the era.
Francesco Briggi, inspired by this great explorer, created a one-of-a-kind dress. To describe the cultures that the most famous Venetian in history encountered, he studied the characteristic clothing of different populations, and then built a dress that spoke of exchanges, union, sharing.
“The oriental princess” wonderfully worn by Mary of the Year Silvia Zecchin, is a continuous reference to Tibetan, Mongolian and Chinese culture, and each element is characterized by pieces from different cultures.
The hairstyle characterized by the shape of large inverted ox horns, refers to the myth of the winged princess world’s protector, who is Princess Khutulum, who was actually met by Marco Polo and inspired the Western fairy tale of Turandot. The vertical part that stands out behind the same hairstyle is instead characteristic of Tibet, while the butterflies that play as the lady moves, the small golden lanterns, the pins, are a precise reference to Chinese culture.
The belt, the fur collar, the double-breasted closure crossed at shoulder height, are typical details of the Mongolian culture which fought the harsh climate with layers and skins, influencing both Tibetan fashion, which remained simpler in its result, and that Russian, which still retains the closure in the typical traditional uniforms.
The fabric could only be silk in different processes, from shantung to lampas with Chinese lion motifs, while the trimmings that border the entire dress were made entirely by hand in India, thus paying homage to the long silk road.
A characterizing element beyond the hairstyle are the large and rich kimono sleeves, made of printed cotton, which recall the paintings of the “Chinese ancestors”, a classic motif of Chinese culture. In this case we recognize the Emperor with his court.
Cultures, centuries of fashion and thoughts met in the hands and scissors of Francesco Briggi who thus created a hymn to peace and union dressing the hopes of a young Maria ready to pass on the traditions, desires and dreams of a young Venetian!